Tom Hauser (
only_good_teacher) wrote2026-01-16 04:31 am
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The world is warm and quiet as he drifts back to consciousness. His arm is slung over Henri's waist, and Henri's arm is curled under his neck in a sleepy hug, and for the first time in a long time, Tommy feels like he's somewhere he could belong.
He murmurs something in French, turning his head to kiss Henri's shoulder, but realizes as he rouses that the smell of the room is different.
Tommy distinctly remembers Henri's cologne, mingling with the oil he uses in his beard to make something heady and musky that had driven Tommy wild the night before. That's completely gone now, not even faded into the pillows or clinging to Tommy's skin. He blinks awake. Even without his glasses, he can see the room is wrong, too. Instead of tall, narrow windows with gauzy curtains, there's a broad wall with art hanging on it, and a huge walk-in closet. There's a dog on the bed. Henri doesn't have a dog.
Tommy's eyes settle on the man laying beside him.
That. That is not Henri.
With a yelp that very nearly borders on a shriek, Tommy flails backward, away from the strange, notably older man in the bed beside him. He scrambles back so quickly that he fails to keep track of the mattress — a second later, the surface gives way and Tommy topples to the floor with a thud and an oof.
He murmurs something in French, turning his head to kiss Henri's shoulder, but realizes as he rouses that the smell of the room is different.
Tommy distinctly remembers Henri's cologne, mingling with the oil he uses in his beard to make something heady and musky that had driven Tommy wild the night before. That's completely gone now, not even faded into the pillows or clinging to Tommy's skin. He blinks awake. Even without his glasses, he can see the room is wrong, too. Instead of tall, narrow windows with gauzy curtains, there's a broad wall with art hanging on it, and a huge walk-in closet. There's a dog on the bed. Henri doesn't have a dog.
Tommy's eyes settle on the man laying beside him.
That. That is not Henri.
With a yelp that very nearly borders on a shriek, Tommy flails backward, away from the strange, notably older man in the bed beside him. He scrambles back so quickly that he fails to keep track of the mattress — a second later, the surface gives way and Tommy topples to the floor with a thud and an oof.

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That was not Tom. Or maybe it was? Something looked a little familiar in the facial structure, but he was so young. Bopp had jumped down to sniff at whoever it was and Daniel let her do that. She’d give her opinion shortly.
“You alright there?” he said.
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"Where the fuck are we?" he asks the inexplicable American. "Where's Henri? Did, did you kidnap me?"
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“I did not kidnap you,” Daniel said, since that seemed like the most important detail to be clear about. “But I also don’t know anyone named Henry. My name is Daniel. What’s yours?”
He was pretty sure he knew what had happened here, but he was not completely sure. Hopefully this fella would be willing to tell Daniel his name instead of storming out or something.
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It suddenly occurs to him, mid-sentence, mid-thought, that this man may not be safe in more than one way. He doesn't need to go announcing himself in that way — not anymore than he already has.
"Fuck," he breathes, reaching up as if to adjust his glasses before remembering they aren't there. The dog moves closer, gently reaching a paw to his bare knee like it expects him to understand what it wants from him.
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“I didn’t, but I don’t expect you to believe that. I probably wouldn’t either. But your name’s Tom Hauser, you were born on January 20, 1953, and you’re my steady. And that’s my service dog, Bopp.”
He also didn’t expect Tom to believe any of that, but it was the truth and Daniel was going to tell the truth.
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But then another fragment of the explanation trickles through. You're my steady. It reminds him a little of school, the will you go steady with mes that circulated the halls, and Tommy swallows hard.
"So, what is this, you're saying... Do I have amnesia? Because I don't remember you, I, I don't remember meeting you, I don't remember fucking anything, okay? Last night, I went to sleep in Paris, this— this is— this is not Paris, so you need to start talking, fast." He reaches up, again, like he's going to adjust his glasses, and then in a panicked, frustrated half-sob adds, "And where the fuck are my glasses?"
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“You’re right that this isn’t Paris. It’s a place called Darrow and I’ll explain as much as I can, but do you mind if I put on a robe and make some coffee? Sorry, no croissants.”
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Bopp gave him a slightly confused head tilt, but trotted out to the living room where her basket of toys was kept.
“She’ll show you. I’ll be out in a few minutes.”
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The apartment is... nice, he realizes. Really nice. The floors are wide and smooth, and when they get to the living room — not a far walk at all — Tommy sees a veritable wall of books. He drifts towards them as if by gravity, tugging the glasses on over his ears.
And immediately, he pulls them back off, a sound of discomfort as the strength of the prescription makes him feel like his fucking eyeballs are being squeezed.
"Of course," he groans softly. With a sigh, he sets them on the shelf in front of him. At least his vision isn't so bad, close up like this. He circles the living room slowly, combing his fingers over the spines of the books. It certainly doesn't look like the den of a kidnapper, at least.
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When he came out into the living room a few minutes later, he had on the same plaid flannel pajama pants he’d been wearing but with the leg down. He also had his robe and the ridiculous slippers Tom had bought him for Christmas this year, but he hadn’t bothered to comb his hair.
“You drink coffee?” he asked Tom, who had of course headed for the bookshelves.
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"Holy shit," he whispers. He thumbs the pages to the story he knows practically by heart; they part easily, like he isn't the first person to turn to this story specifically. He wonders how many other people have read this before it came to this bookshelf, how many of them felt seen by it the way he did the first time he read it. He flips the page and sees a thin slip of paper inside. It's written all over with pen, notations with page numbers, line numbers, thoughts and opinions.
"This is my..." He trails off and looks towards the kitchen, then frowns and brings the book to the kitchen island. "This is my handwriting," he says, holding the book like an accusation. "How do you have my handwriting?"
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“Because you - or at least an older version of you — is my steady and you live here too. And you like making notes in your books. Well, not in the books. You’d say that was a crime against books.”
He was focusing on the coffee, but he was also keeping an eye on Tom. Daniel remembered his own experience with waking up too young, and that he’d known he shouldn’t be eighteen. Peggy hadn’t known she shouldn’t be young, though, and he’d had to deal with the same kinds of questions and suspicions.
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“What do you take in your coffee?” He knew how his Tom took it, bit not how this Tom did.
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"Thi— um. This is my face," he says, like Daniel doesn't know that, couldn't know that. Like that wasn't the whole reason he'd told Tommy to look at the photo.
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“It is,” he agreed, and brought the mugs of coffee over to the table in the living room. He put his own down and then held out Tom’s, although he didn’t really expect him to take it.
“It’s a good face.”
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He didn’t know of anyone who hadn’t remembered being the wrong age after it was done. Then he thought of something else.
“I need to text your principal. You definitely can’t go to your staff development day like this.”
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“The, uh, older version of you has a job. I gotta let your boss know you won’t be there today. On account of all of this, right?”
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"Wait, you know how that sounds, don't you? That I just... what, fucking magically... de-aged?"
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“It could,” he agreed. “Right now I’m more concerned about you, though.”
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